TRINITY FILM
Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles [Blu-ray] - PRE-ORDER - 06 OCTOBER 2025
Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles [Blu-ray] - PRE-ORDER - 06 OCTOBER 2025
SKU:BFIB1537
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THIS ITEM IS AVAILABLE TO PRE-ORDER. PLEASE NOTE THAT YOUR PAYMENT WILL BE TAKEN IMMEDIATELY, AND THAT THE ITEM WILL BE DISPATCHED JUST BEFORE THE LISTED RELEASE DATE.SHOULD YOU ORDER ANY OF THE ALREADY RELEASED ITEMS FROM OUR CATALOGUE AT THE SAME TIME AS THIS PRE-ORDER ITEM, PLEASE NOTE THAT YOUR PURCHASES WILL ALL BE SHIPPED TOGETHER WHEN THIS PRE-ORDER ITEM BECOMES AVAILABLE.PLEASE PLACE A SEPARATE ORDER FOR PRE-ORDERS IF YOU WISH TO HAVE IN-STOCK ITEMS SHIPPED SOONER.
Director: Chantal Ackerman
Chantal Akerman’s landmark second feature follows the meticulous daily routine of its titular lead over the course of three days. Voted Sight and Sound’s Greatest Film of All Time in 2022, marking the first time a female filmmaker has taken the number one spot, Jeanne Dielman is revolutionary in its bold experimental approach to narrative subject and structure. Charting the breakdown of its protagonist, a bourgeois Belgian housewife, mother and part-time sex worker over the course of three days, the film rigorously records her everyday life in extended time and hypnotic detail.
REGION B
Extras
- Restored in 2K and presented in High Definition
- Audio commentary by Kate Rennebohm and Simon Howell of the Akerman Year podcast
- Autour de Jeanne Dielman (1975, 69 mins): insightful documentary by Sami Frey showing the working relationship between Akerman and Delphine Seyrig
- Chantal Akerman 1976: An Interview (1976, 59 mins): the filmmaker discusses her early films with B Ruby Rich
- Entretien avec ma mère, Natalia Akerman (2007, 30 mins): Chantal Akerman talks to her mother, Natalia
- Interview with Babette Mangolte (2007, 34 mins)
- Interview with Aurore Clément (2007, 19 mins): The actor talks to Chantal Akerman about how she came to work on Les Rendez-vous d’Anna, and the reaction the film garnered on its release
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