{"product_id":"short-sharp-shocks-vol-2-blu-ray-flipside","title":"SHORT SHARP SHOCKS VOL.2 FLIPSIDE - BLU-RAY","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eShort Sharp Shocks: Volume 2 (Blu-ray)\u003cbr\u003eDirector: Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe latest in the critically acclaimed BFI Flipside series – continuing its ongoing mission to curate an alternative Brit-screen history of overlooked rarities in deluxe home-entertainment editions – is a second edition of strange, striking, thrilling, horrific, eerie and eccentric short subjects from the heyday of the British cinematic supporting programme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSettle down for another strange cinematic journey through uncanny stories, twists in the tale, low-budget weirdness, stylish spectacle, peculiar public information, monstrous music and provocative experiment – all with oodles of atmosphere and in High Definition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eFeaturing the following films:\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eQuiz Crime No.1\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1943, 14 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eQuiz Crime No.2\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1944, 19 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Three Children\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1946, 3 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eEscape from Broadmoor\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1948, 39 mins) │\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eMingaloo\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1958, 20 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eJack the Ripper with Screaming – Lord Sutch\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1961, 3 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Face of Darkness\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1976, 57 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Dumb Waiter\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1979, 18 mins) │\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eHangman\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1985, 17 mins) |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Mark of Lilith\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(1986, 33 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"a-text-bold\"\u003e\u003cspan class=\"a-text-bold\"\u003eExtras\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNew interview with Ian F H Lloyd, writer and director of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Face of Darkness\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003e(2021)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNew interview with Bruna Fionda, Polly Gladwin and Zachary Mack-Nataf, directors of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Mark of Lilith\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNew interview with the writer and director of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Dumb Waiter\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e, Robert Bierman (2021)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNew interview with Claire Binns (2021): the Ritzy alumnus celebrates the radical history of the legendary London cinema where\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Mark of Lilith\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003ewas shot\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eImage galleries for\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Face of Darkness, The Dumb Waiter\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003eThe Mark of Lilith\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eNewly commissioned sleeve artwork by renowned illustrator Graham Humphreys\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003e**FIRST PRESSING ONLY**\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e\u003cspan\u003e \u003c\/span\u003eIllustrated booklet featuring contributions from filmmakers Ian F H Lloyd and Robert Bierman and other writing from Vic Pratt, William Fowler, Josephine Botting, Jon Dear, Jonathan Rigby and Caroline Champion\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"a-text-bold\"\u003e\u003cspan class=\"a-text-bold\"\u003eUK | 1943 -1986 | black \u0026amp; white, colour | 217 minutes | English language, with optional subtitles for the Deaf and partial hearing | original aspect ratios: 1.37:1, 1.66:1 | Cert 15 (Strong violence, horror, threat, very strong language) | BD25 + BD50: 1080p, 24fps, LPCM mono audio (48kHz\/24-bit) | Region B\u003c\/span\u003e\u003c\/p\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":46600844935342,"sku":"BFIB1431","price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/short-sharp-shocks-vol2-lime-light.jpg?v=1754409337","url":"https:\/\/limelightcollection.co.uk\/en-eu\/products\/short-sharp-shocks-vol-2-blu-ray-flipside","provider":"Limelight Collection","version":"1.0","type":"link"}