{"title":"PRE-ORDERS","description":"\u003cp data-start=\"81\" data-end=\"139\"\u003e\u003cstrong data-start=\"81\" data-end=\"137\"\u003eBlu-ray \u0026amp; 4K UHD Pre-Orders | Secure Your Copy First\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"141\" data-end=\"429\"\u003eBe the first to own the latest \u003cstrong data-start=\"172\" data-end=\"183\"\u003eBlu-ray\u003c\/strong\u003e and \u003cstrong data-start=\"188\" data-end=\"198\"\u003e4K UHD\u003c\/strong\u003e releases from leading studios, including \u003cstrong data-start=\"240\" data-end=\"342\"\u003eCriterion Collection, Universal Studios, Powerhouse Films, Radiance Films, 88 Films, BFI, and more\u003c\/strong\u003e. Pre-order today to guarantee your copy before these sought-after editions sell out.\u003c\/p\u003e\n\u003cp data-start=\"431\" data-end=\"704\"\u003eFrom \u003cstrong data-start=\"436\" data-end=\"480\"\u003ecult classics and Hollywood blockbusters\u003c\/strong\u003e to \u003cstrong data-start=\"484\" data-end=\"537\"\u003eworld cinema and limited edition collector’s sets\u003c\/strong\u003e, our pre-order selection is constantly updated with the most anticipated upcoming releases. Secure your favourites now and have them shipped as soon as they launch.\u003c\/p\u003e\n\u003cp data-start=\"706\" data-end=\"818\"\u003eShop the latest \u003cstrong data-start=\"722\" data-end=\"755\"\u003eBlu-ray and 4K UHD pre-orders\u003c\/strong\u003e today at Limelight – \u003cstrong data-start=\"777\" data-end=\"815\"\u003eRedefining Independent Film Retail\u003c\/strong\u003e.\u003c\/p\u003e","products":[{"product_id":"hilary-and-jackie-blu-ray-pre-order-27-october-2025","title":"Hilary and Jackie [Blu-ray]- PRE-ORDER - 3-NOVEMEBER-2025","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eDirector: Anand Tucker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eHilary and Jackie\u003c\/span\u003e\u003cspan\u003e tells the story of Jacqueline du Pré (Emily Watson) a brilliant cellist, and her complex bond with her sister Hilary (Rachel Griffiths). As children, they share a joyful world of music, with Hilary initially the star. 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And 1964’s \u003cem\u003eWonderful Life\u003c\/em\u003e (titled \u003cem\u003eSwingers’ Paradise\u003c\/em\u003e stateside) has a shipwrecked Cliff and the Shadows stumble onto a film set. \u003c\/p\u003e\n\u003cp\u003eFeaturing the directing talents of Sidney J Furie (\u003cem\u003eThe Ipcress File\u003c\/em\u003e) and Peter Yates (\u003cem\u003eMurphy’s War\u003c\/em\u003e), this box set also includes the Shadows’ 1964 short film \u003cem\u003eRhythm ’n’ Greens\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eINDICATOR LIMITED EDITION 3 x BLU-RAY BOXSET SPECIAL FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K restorations of \u003cem\u003eThe Young Ones\u003c\/em\u003e and \u003cem\u003eSummer Holiday\u003c\/em\u003e \u003c\/li\u003e\n\u003cli\u003eHigh Definition remaster of \u003cem\u003eWonderful Life\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal mono audio \u003c\/li\u003e\n\u003cli\u003eAudio commentary on \u003cem\u003eThe Young Ones\u003c\/em\u003e with director Sidney J Furie, filmmaker Paul Lynch and journalist Waylon Wahl (2002)\u003c\/li\u003e\n\u003cli\u003eAudio commentary on \u003cem\u003eSummer Holiday\u003c\/em\u003e with director Peter Yates and journalist Jonathan Sothcott (2002)\u003c\/li\u003e\n\u003cli\u003eAudio commentary on \u003cem\u003eWonderful Life\u003c\/em\u003e with director Sidney J Furie, filmmaker Paul Lynch and journalist Waylon Wahl (2002)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Years Have Flown\u003c\/em\u003e (2026): cinematographer Robin Vidgeon talks about his work on \u003cem\u003eThe Young Ones\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCat in the Canaries\u003c\/em\u003e (2026): Vidgeon recalls the production of \u003cem\u003eWonderful Life\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA British Phenomenon\u003c\/em\u003e (2026): composer and author Neil Brand examines Cliff Richard and the Shadows’ 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newsreel showing Richard learning to drive the bus featured in \u003cem\u003eSummer Holiday\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFirst Night to Remember\u003c\/em\u003e (1963): newsreel footage of \u003cem\u003eSummer Holiday\u003c\/em\u003e’s West End opening night in London\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eCliff Meets New Lady\u003c\/em\u003e (1963): Richard and \u003cem\u003eWonderful Life\u003c\/em\u003e’s leading lady, Susan Hampshire, meet in front of the British press\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWonderful First Night\u003c\/em\u003e (1964): footage of \u003cem\u003eWonderful Life\u003c\/em\u003e’s opening night at the Empire, Leicester Square, London\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSummer Holiday \u003c\/em\u003eSuper 8 version (1963): cut-down home cinema presentation of the film\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWe’ve Got a Show\u003c\/em\u003e (1961): Super 8 presentation of 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Bored and unhappy as the Lord of Hell, Lucifer Morningstar has resigned his throne and retired to the City of Angels, where he owns an upscale piano bar called Lux. Lucifer is enjoying his retirement and indulging in a few of his favorite things -- wine, women, song -- when a beautiful pop star is brutally murdered outside of Lux. For the first time in roughly 10 billion years, he feels something awaken deep within him. He's not sure whether it's his suppressed desire to punish the wicked or something deeper and more confusing -- is he actually capable of feelings for a human being? The very thought disturbs him -- as well as his best friend and confidante, Mazikeen (aka Maze), a fierce demon in the form of beautiful young woman. The murder attracts the attention of LAPD homicide detective Chloe Dancer, who finds herself both repulsed and fascinated by Lucifer. As they work together to solve the pop star's murder, Lucifer is struck by Chloe's inherent goodness. 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Hazan\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNew commentary with director Jack Hazan\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAudio Commentary from Producers\/Directors David Mingay and Jack Hazan\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterview with 'Rude Boy' Ray Gange\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterview with Clash Road Manager Johnny Green\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterview with Film-Maker and Cameraman Jack Hazan\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInterview with Film-Maker David 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Inimitably written and directed by indefatigable independent filmmaker Wood,\u003c\/p\u003e\n\u003cp\u003ethis self-proclaimed masterpiece tells the strange tale of alien invaders piloting flimsy flying saucers on a muddled-up\u003c\/p\u003e\n\u003cp\u003emission to resurrect earth’s dead. Opportunistically juxtaposing pre-existing footage of a recently deceased Bela\u003c\/p\u003e\n\u003cp\u003e(Dracula) Lugosi with new scenes featuring Wood’s friends, business associates, Hollywood has-beens and hangers-on,\u003c\/p\u003e\n\u003cp\u003eamidst a claustrophobic cemetery-set crammed with cardboard tombstones, Plan 9 occupies a unique cinematic space.\u003c\/p\u003e\n\u003cp\u003eIt’s a dream-realm where ineptitude and inspiration collide; where conventional criticism – as well as time, space and\u003c\/p\u003e\n\u003cp\u003elogic – no longer rule supreme. Can you prove it didn’t happen?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlso included is Bride of the Monster, finally making its worldwide Blu ray debut. Lovingly written by Wood for his idol,\u003c\/p\u003e\n\u003cp\u003eLugosi, it immortalises the master of screen menace – who usefully remained alive throughout production – in his last\u003c\/p\u003e\n\u003cp\u003egreat performance. As haunted, homeless genius Dr Eric Vornoff, he’s hell-bent on an ungodly mission to create atomic\u003c\/p\u003e\n\u003cp\u003esuperbeings, whilst feeding anybody who gets in the way to his rather rubbery giant octopus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eExtras\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e· Restored by the BFI and presented in High Definition\u003c\/p\u003e\n\u003cp\u003e· Bride of the Monster (1955, 69 mins): arguably Ed Wood’s most ambitious film sees a classic ‘mad scientist’ tale\u003c\/p\u003e\n\u003cp\u003eunfold in classic Wood style!\u003c\/p\u003e\n\u003cp\u003e· Plan 9 From Outer Space presented in 1.85:1 and 1.37:1\u003c\/p\u003e\n\u003cp\u003e· Newly recorded audio commentary on Plan 9 From Outer Space by writer and artist Ken Hollings and the BFI’s Vic\u003c\/p\u003e\n\u003cp\u003ePratt\u003c\/p\u003e\n\u003cp\u003e· Archive audio commentary on Plan 9 From Outer Space by filmmaker David De Cocteau and writer Ted Newsom\u003c\/p\u003e\n\u003cp\u003e(1.37:1 version only)\u003c\/p\u003e\n\u003cp\u003e· Criswell Predicts 2026 (2026, 11 mins): Ken Hollings celebrates Ed’s enduring masterwork in this vivid video\u003c\/p\u003e\n\u003cp\u003eessay\u003c\/p\u003e\n\u003cp\u003e· Mark Kermode on Plan 9 (2026, 4 mins): the critic introduces the film\u003c\/p\u003e\n\u003cp\u003e· Out of Step: Other Worlds are Watching Us (1957, 13 mins): intrepid television journalist Daniel Farson\u003c\/p\u003e\n\u003cp\u003einvestigates the British saucer flap in this groundbreaking Rediffusion documentary programme\u003c\/p\u003e\n\u003cp\u003e· Kadoyng (Ian Shand, 1972, 60 mins): another mysterious visitor from Outer Space with a plan to sort out stupid\u003c\/p\u003e\n\u003cp\u003ehumans arrives in 1970s England, in this fabulous Children’s Film Foundation feature\u003c\/p\u003e\n\u003cp\u003e· All About Ed: Archive interviews with family and friends (2011, 96 mins): interviews with Dolores Fuller, Kathy\u003c\/p\u003e\n\u003cp\u003eWood, Stephen C Apostolof and Joe Robertson\u003c\/p\u003e\n\u003cp\u003e· Bela Lugosi Leaving the Sanitarium (1955, 5 mins): rare footage of the master of horror chatting to reporters\u003c\/p\u003e\n\u003cp\u003efollowing his 1955 rehabilitation - introduced by Ted Newsom\u003c\/p\u003e\n\u003cp\u003e· Newly recorded audio commentary on Bride of the Monster by the BFI’s William Fowler and Vic Pratt\u003c\/p\u003e\n\u003cp\u003e· Archive audio commentary on Bride of the Monster by filmmaker David DeCocteau and writer Ted Newsom\u003c\/p\u003e\n\u003cp\u003e· White Lite (1968, 3 mins): you’re invited to ‘meet anti-matter and the bride of the monster’ in this far-out\u003c\/p\u003e\n\u003cp\u003eexperimental film homage to Wood’s Bride of the Monster by artist Jeff Keen\u003c\/p\u003e\n\u003cp\u003e· Theatrical trailers\u003c\/p\u003e\n\u003cp\u003e· Image galleries\u003c\/p\u003e\n\u003cp\u003e· Reversible sleeve featuring original poster for Bride of the Monster\u003c\/p\u003e\n\u003cp\u003e· **FIRST PRESSING ONLY** Illustrated booklet featuring new writing by Will Sloan, Jaye Hudson, Mark Pilkington,\u003c\/p\u003e\n\u003cp\u003eVic Pratt, William Fowler, Jane Giles and Jan Manthey\u003c\/p\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":47869636214958,"sku":"BFIB1576","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/BFIB1576_Plan9FromOuterSpace_Packshot.jpg?v=1779100853"},{"product_id":"practical-magic-steelbook-pre-order-tbc","title":"Practical Magic SteelBook - PRE-ORDER-5-OCTOBER-2026","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSally and Gillian Owens have always known they were different. 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Broadly gathered under the term cinéma fantastique, these works often find the magical and the surreal lurking in the ordinary. Uncanny dreams, fleeting visions, or eerie apparitions lift their protagonists out of the everyday, transporting viewers into atmospheric worlds where the usual rules structuring our reality do not appear to hold. Formally striking and thematically stimulating, these phantasmagorical films blur the boundary between horror and wonder as they weave beguiling tales around the mysterious and the unexplained. \u003c\/p\u003e\n\u003cp\u003eDANS LA NUIT\u003cbr\u003eShortly after his wedding, a quarry worker (Charles Vanel, \u003cem\u003eThe Wages of Fear\u003c\/em\u003e, \u003cem\u003eIllustrious Corpses\u003c\/em\u003e) is disfigured in a mining accident. The creepy mask now covering his face is scarier than the scars underneath it… and his bride (Sandra Milovanoff) is soon tempted by the promise of happier days with another man. The sole feature film directed by legendary French actor Charles Vanel, \u003cem\u003eDans la nuit\u003c\/em\u003e was released at the dawn of the sound era and virtually condemned to obscurity as a result. This restoration reveals a viscerally affecting story of love and happiness, terror and guilt, with stunning cinematography and breathtakingly creative editing capturing the surreal atmosphere of life in the mines as well as the dizzying joy of romance. \u003c\/p\u003e\n\u003cp\u003eLA NUIT FANTASTIQUE\u003cbr\u003ePhilosophy student Denis (Fernand Gravey, \u003cem\u003eLa ronde\u003c\/em\u003e) makes ends meet by working nights at a fresh food market. Perpetually exhausted, he often falls asleep and dreams of Irène (Micheline Presle, \u003cem\u003eDonkey Skin\u003c\/em\u003e), a beautiful woman dressed in white. One night, he follows her on a peculiar adventure across Paris… One of the most successful French films made during the German occupation of France, Marcel L’Herbier’s lighthearted comedy uses ethereal set design, witty dialogue, and a charismatic cast to gracefully skip from one charmingly implausible moment to the next. Suspending your disbelief is easy when dream logic makes for such a lovely tale. \u003c\/p\u003e\n\u003cp\u003eLE DIABLE SOUFFLE\u003cbr\u003eOne rainy night in the city, Laurent (Charles Vanel, \u003cem\u003eThe Wages of Fear\u003c\/em\u003e, \u003cem\u003eIllustrious Corpses\u003c\/em\u003e) meets Louvaine (Héléna Bossis), a sickly and despairing young woman. He brings her back to his small island near the Spanish border, where the Tramontana wind always blows. One stormy night, Diégo (Jean Chevrier), a mysterious drifter, finds refuge on the island, disturbing Laurent and Louvaine’s harmonious routine.  Emotions are high and imaginations run wild in Edmond T. Gréville’s moody story of unrequited love, broken dreams, and frustrated desires. The atmospheric cinematography by Henri Alekan (\u003cem\u003eBeauty and the Beast\u003c\/em\u003e, \u003cem\u003eWings of Desire\u003c\/em\u003e) captures all the hallucinogenic power of the film’s unusual setting, an isolated place battered by winds and rain when it isn’t bathed in idyllic sunshine. \u003c\/p\u003e\n\u003cp\u003eTHE GOLEM\u003cbr\u003eAfter he mistakenly swaps his hat with that of somebody called Athanase Pernath, an unnamed man (André Reybaz) appears to start living the stranger’s life in his dreams. A jewel cutter and book restorer in the Prague ghetto, Pernath is embroiled in his neighbors' sordid stories of passion, jealousy, and revenge, while rumors spread that an ominous clay figure known as the Golem has reappeared after 33 years. Jean Kerchbron’s TV adaptation of Gustav Meyrink’s novel, itself inspired by the Jewish folktale of the Golem, seems like an emanation from another time and place. Mystical dialogue, arresting set design, and a panoply of striking faces combine in a hypnotic, metaphysical tale that appears to abide by old rules and ancient wisdom. \u003c\/p\u003e\n\u003cp\u003eTHE WOMAN WITH RED BOOTS\u003cbr\u003eAfter Françoise (Catherine Deneuve, \u003cem\u003eBelle de Jour\u003c\/em\u003e, \u003cem\u003eMississippi Mermaid\u003c\/em\u003e), a successful novelist, meets the rich art patron Pérou (Fernando Rey, \u003cem\u003eIllustrious Corpses\u003c\/em\u003e, \u003cem\u003eThat Obscure Object of Desire\u003c\/em\u003e), he begins to stalk her. Soon, he invites her to write her memoir at his country house. But he also invites Marc (Adalberto Maria Merli, \u003cem\u003eThe Night Caller\u003c\/em\u003e), the director of an art magazine whom Françoise has become obsessed with. Juan Luis Buñuel takes after his father in this unpredictable allegory on art’s power to control us and warp our perceptions. The multi-layered game of cat and mouse makes canny use of Deneuve’s on-screen persona as both an unreachable ideal and a sensual, flesh-and-blood woman: Françoise is an artist who, through her creative imagination and the grip she has on men’s psyche, can make them see things that may or may not be there. \u003c\/p\u003e\n\u003cp\u003eTHREE LIVES AND ONLY ONE DEATH\u003cbr\u003eIn the first of four intertwining tales, Marcello Mastroianni (\u003cem\u003e8 ½\u003c\/em\u003e, \u003cem\u003eLe notti bianche\u003c\/em\u003e) plays an affable man who tells a stranger about the time fairies devoured years of his life. In the second, he is a Professor who abandons his job to become a beggar. In the third, he is the eccentric butler that comes with the large chateau a young couple unexpectedly inherits. And in the fourth, he is a businessman who learns that the family he invented to get out of work obligations is arriving from the airport. Chilean filmmaker Raúl Ruiz tells four strange yet eerily familiar, fable-like stories set in Paris, where he lived and worked for much of his life. Mastroianni’s twinkle-eyed charm carries us through an offbeat journey through time and destiny, made up of odd coincidences, weird recurrences, and bizarre details.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBLU-RAY LIMITED EDITION BOX SET SPECIAL FEATURES:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4K restorations of \u003cem\u003eDans la nuit\u003c\/em\u003e, \u003cem\u003eLa nuit fantastique\u003c\/em\u003e, \u003cem\u003eLe Diable souffle\u003c\/em\u003e, \u003cem\u003eThe Golem\u003c\/em\u003e,  The \u003cem\u003eWoman with Red Boots\u003c\/em\u003e and 2K restoration of \u003cem\u003eThree Lives and Only One Death\u003c\/em\u003e presented on six discs\u003c\/li\u003e\n\u003cli\u003eUncompressed mono\/stereo PCM audio for each film\u003c\/li\u003e\n\u003cli\u003eNew introduction to \u003cem\u003eDans la nuit\u003c\/em\u003e by Institut Lumière director Thierry Frémaux\u003c\/li\u003e\n\u003cli\u003eNew commentary on \u003cem\u003eDans la nuit\u003c\/em\u003e by film historian Pamela Hutchinson\u003c\/li\u003e\n\u003cli\u003eNew interview with French cinema expert Ginette Vincendeau on La Nuit fantastique and French cinema under the Occupation\u003c\/li\u003e\n\u003cli\u003eArchival TV interview with director Marcel L’Herbier on \u003cem\u003eLa Nuit fantastique\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew commentary for \u003cem\u003eLe Diable souffle\u003c\/em\u003e by film critics Elena and Manuela Lazic\u003c\/li\u003e\n\u003cli\u003eNew interview on \u003cem\u003eLe Diable souffle\u003c\/em\u003e and director Edmond T. 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