{"title":"Dads on Film","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs it's Father's Day on Sunday (you forgot, didn't you?), explore this curated collection featuring unforgettable Dads on Film.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"cj7","title":"CJ7","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\"\u003eCo-writer\/Director Stephen Chow (Kung Fu Hustle, Shaolin Soccer) stars as Ti, a poor but loving father who works such long hours that he barely has any time to spend with his young son. Unable to afford the latest toy his boy desperately wants; Ti instead brings home a mysterious “pet” he finds at a local junkyard. When the cuddly creature turns out to be a fun-loving extraterrestrial able to perform miraculous deeds, father and son are about to learn some important lessons that change their lives in this delightful science-fiction fantasy for the whole family.\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"88 FILMS","offers":[{"title":"Default Title","offer_id":45519071150254,"sku":"88FB569","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/88FB569CJ7Bluray2D.jpg?v=1738931115"},{"product_id":"get-carter-2-disc-blu-ray","title":"GET CARTER (2-DISC BLU-RAY)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRELEASE DATE 02 DECEMBER 2024\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eMichael Caine is Jack Carter, the London gangland enforcer who returns to his hometown of Newcastle to investigate his brother’s death. Rarely has the criminal underworld been so realistically portrayed as in this 1971 masterpiece. Shot on location, resulting in a devastatingly authentic snapshot of life in the north east of England, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eGet Carter\u003c\/i\u003e remains arguably the grittiest and greatest of all British crime films. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eNewly restored in 4K from the original camera negative by the BFI, and approved by director Mike Hodges, \u003ci style=\"mso-bidi-font-style: normal;\"\u003eGet Carter\u003c\/i\u003e is back, and looking and sounding better than ever.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eExtras\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; line-height: normal;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpFirst\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003ePresented in High Definition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eIntroduction by Michael Caine (2022, 3 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eAudio commentary featuring Mike Hodges, Michael Caine and Wolfgang Suschitzky (2000)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eAudio commentary featuring Kim Newman and Barry Forshaw (2022)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eIsolated score by Roy Budd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eMike Hodges in Conversation\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e (2022, 60 mins): the director discusses his long career\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eKlinger on Klinger\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e (2022, 24 mins): Tony Klinger recalls and evaluates the career of his father, Michael Klinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eDon’t Trust Boys\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e (2022, 22 mins): actor Petra Markham reflects upon her career on stage and screen, and recalls her role in \u003ci style=\"mso-bidi-font-style: normal;\"\u003eGet Carter\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eThe Sound of Roy Budd\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e (2022, 17 mins): Jonny Trunk explores the varied career of Roy Budd, and revisits his iconic score for \u003ci style=\"mso-bidi-font-style: normal;\"\u003eGet Carter\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eBBC Look North\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e location report (1970, 5 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eRoy Budd Plays ‘Get Carter’ \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e(1971, 4 mins)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eMichael Caine’s message to premiere attendees (1971, 1 min)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eThe Ship Hotel – Tyne Main\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003e (1967, 33 mins): Philip Trevelyan’s evocative documentary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eInternational trailer (1971)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eRerelease trailer (2022)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpMiddle\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eScript Gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm; mso-add-space: auto; text-indent: -18.0pt; line-height: normal; mso-list: l0 level1 lfo1;\" class=\"MsoListParagraphCxSpLast\"\u003e\u003c!-- [if !supportLists]--\u003e\u003cspan style=\"font-size: 10.0pt; font-family: Symbol; mso-fareast-font-family: Symbol; mso-bidi-font-family: Symbol;\"\u003e\u003cspan style=\"mso-list: Ignore;\"\u003e·\u003cspan style=\"font: 7.0pt 'Times New Roman';\"\u003e       \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c!--[endif]--\u003e\u003cspan style=\"font-size: 10.0pt;\"\u003eAudio description track (feature only)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":45895577239726,"sku":"BFIB1514","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/BFIB1514_GetCarter.jpg?v=1750326118"},{"product_id":"nobody-4k-uhd","title":"Nobody - 4K Ultra HD","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eHutch is a nobody. As an overlooked and underestimated father and husband, he takes life’s indignities on the chin and never rocks the boat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut when his daughter loses her beloved kitty-cat bracelet in a robbery, Hutch hits a boiling point no one knew he had. What happens when a pushover finally pushes back? Hutch flips from regular dad to fearless fighter by taking his enemies on a wild ride of explosive revenge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe writer of John Wick showcases Emmy ® winner° Bob Odenkirk (Better Call Saul) as fans have never seen him before: an average family man who becomes a lethal vigilante unlike any ordinary action hero.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eBONUS FEATURES:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eFeature Commentary with Actor\/Producer Bob Odenkirk and Director Ilya Naishuller\u003cbr\u003eDeleted Scenes\u003cbr\u003eHutch Hits Hard\u003cbr\u003eBreaking Down The Action\u003cbr\u003eJust a NOBODY\u003c\/span\u003e\u003c\/p\u003e","brand":"Universal Pictures","offers":[{"title":"Default Title","offer_id":46217963208878,"sku":"UPSEUHD0049","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/nobody_Lime_Light_Front_UHD.png?v=1752590700"},{"product_id":"who-saw-her-die-limited-edition-blu-ray-1","title":"WHO SAW HER DIE? (LIMITED EDITION) [BLU-RAY]","description":"\u003cdiv class=\"celwidget aplus-module 3p-module-b aplus-standard\" data-csa-c-id=\"b32a4j-9qdfkz-y5gglb-f3tzoc\" data-cel-widget=\"aplus-3p-module-b\"\u003e\n\u003cdiv class=\"aplus-module-wrapper aplus-3p-fixed-width\"\u003e\n\u003cp class=\"a-spacing-base\"\u003e\u003cspan class=\"a-text-bold\"\u003eGeorge Lazenby\u003c\/span\u003e, in a career-defining departure from his role as James Bond\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003e007\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cspan class=\"a-text-italic\"\u003eOn Her Majesty’s Secret Service\u003c\/span\u003e), delivers a powerful, gutsy performance in\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eAldo Lado\u003c\/span\u003e's chillingly disturbing giallo masterpiece,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eWHO SAW HER DIE?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eLazenby portrays Franco Serpieri, a sculptor recently separated from his wife (\u003cspan class=\"a-text-bold\"\u003eAnita Strindberg\u003c\/span\u003e). He invites their young daughter, Roberta (\u003cspan class=\"a-text-bold\"\u003eNicoletta Elmi\u003c\/span\u003e), to spend time with him in an autumnal Venice. As father and daughter joyfully make up for lost time exploring the city, their idyllic bonding is shattered when Roberta becomes the target of a dangerous child-killer lurking in the city's foggy canals. Consumed by grief and driven by a thirst for justice, a tormented Franco embarks on his own investigation, uncovering vicious depravity in the highest echelons of Venetian society controlled by a Machiavellian art-dealer\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eAdolfo Celi\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(Largo in\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e007’s Thunderball\u003c\/span\u003e).\u003c\/p\u003e\n\u003cp class=\"a-spacing-base\"\u003eBearing striking and uncanny similarities to Nicolas Roeg’s later film,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eDon’t Look Now\u003c\/span\u003e, Lado’s\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eWHO SAW HER DIE?\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003edelves into a father’s haunting guilt within a spellbinding giallo mystery. Enhanced by\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eEnnio Morricone\u003c\/span\u003e's eerie score and Franco Di Giacomo's (\u003cspan class=\"a-text-italic\"\u003eThe Good, The Bad \u0026amp; The Ugly\u003c\/span\u003e) evocative cinematography, now properly revealed in this definitive 2K-restored version, it showcases the giallo genre at its most chilling and captivating.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"celwidget aplus-module basic-module-13-text aplus-standard\" data-csa-c-id=\"adcvdb-lu201o-82pafo-2935bt\" data-cel-widget=\"aplus-basic-module-13-text\"\u003e\n\u003cdiv class=\"a-section a-spacing-none aplus-module aplus-module-13 aplus-module-wrapper apm-fixed-width\"\u003e\n\u003cdiv class=\"a-section a-spacing-none aplus-13-heading\"\u003e\n\u003ch3 class=\"a-size-extra-large aplus-13-heading-text a-text-bold\"\u003eSPECIAL FEATURES\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-section a-spacing-none aplus-module-section aplus-text-section\"\u003e\n\u003cp class=\"description\"\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"description\"\u003e \u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eInterview of Director\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eAldo Lado\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e- ‘Ring a Ring o’Rosie’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eInterview of Producer\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eEnzo Doria\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e- ‘The Quest for Money’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eInterview of writer\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eFrancesco Barilli\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e- ‘To Live and Die in Venice’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-bold\"\u003eAldo Lado Q\u0026amp;A\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ecourtesy of the 'Abertoir International Horror Film Festival'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eNew English subtitles \u0026amp; additional English SDH\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003eNew encode in Full HD 1080P from 2K-Restored full-length original negative\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Shameless Films","offers":[{"title":"Default Title","offer_id":46273383432366,"sku":"SHAM225","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/Who-Saw-Her-Die-Lime-Light.png?v=1746111242"},{"product_id":"father-dear-father-the-complete-series","title":"FATHER DEAR FATHER: THE COMPLETE SERIES - DVD","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003ePatrick Glover (Patrick Cargill), a writer of trashy thriller novels, finds himself bringing up his two irrepressible daughters, Karen (Ann Holloway) and Anna (Natasha Pyne), following his divorce from their mother, Barbara.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCue misunderstandings caused by the age and gender gap, as dolly-birds Anna and Karen get up to all kinds of mischief – much to the consternation of their father. Holding it all together is the put-upon housekeeper, Matilda ‘Nanny’ Harris (Noel Dyson – Coronation Street) and the family’s St Bernard dog, H. G. Wells.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten by screenwriting legends Brian Cooke (Man About the House) and Johnnie Mortimer (Never the Twain) and directed by William G. Stewart (Bless This House, Fifteen to One), Father, Dear Father ran for an impressive seven series between 1968 and 1973, and all 45 episodes are included in this set.\u003c\/span\u003e\u003c\/p\u003e","brand":"Old Gold Media","offers":[{"title":"Default Title","offer_id":46417207132334,"sku":"OGM0007","price":43.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/FatherDearFather-TheCompleteSeries_LIMELIGHT.jpg?v=1752590062"},{"product_id":"a-touch-of-zen-standard-edition-masters-of-cinema-blu-ray","title":"A TOUCH OF ZEN Standard Edition (Masters of Cinema) BLU-RAY","description":"\u003cdiv class=\"col-md-6 pr-md-5\"\u003e\n\u003ch4\u003eSYNOPSIS\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp class=\"paragraph-spacing-none\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eWidely regarded as the greatest martial arts epic of all time,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Touch of Zen\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewon awards worldwide (including at Cannes), smashed box-office records and had an incalculable influence on the genre as a whole.\u003c\/p\u003e\n\u003cp\u003eAn unambitious painter named Gu (\u003cem\u003eShih Jun\u003c\/em\u003e) lives with his mother in the vicinity of an abandoned mansion rumoured to be haunted. In actuality, the mansion has become a hiding place for the warrior Yang (\u003cem\u003eHsu Feng\u003c\/em\u003e) and her own mother, both taking refuge following the assassination of their loyal minister father by the wicked eunuch Wei of East Chamber. After the eunuch sends an army to pursue the escapees, the group fortify the mansion with traps and false intimations of the terrifying ghosts within. But even after, things take yet more unsettling turns…\u003c\/p\u003e\n\u003cp\u003eFamed for its iconic set pieces, including the central bamboo forest battle,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eA Touch of Zen\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis one of cinema’s truly peerless action sagas and the precursor par excellence of such modern wuxia films as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrouching Tiger, Hidden Dragon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHouse of Flying Daggers\u003c\/em\u003e. The Masters of Cinema Series is proud to present King Hu’s masterpiece on Blu-ray\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-md-6 pl-md-5 product-features-column\"\u003e\n\u003ch4\u003eSPECIAL FEATURES\u003c\/h4\u003e\n\u003cul data-sku=\"EKA70178\" data-display=\"true\"\u003e\n\u003cli\u003eStunning 1080p High Definition transfer on the Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003cli\u003eSelect scene commentary by critic and Asian cinema expert Tony Rayns\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"EUREKA","offers":[{"title":"Default Title","offer_id":46480024305838,"sku":"EKA70178","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/A-Touch-Of-Zen-Lime-Light-BD.jpg?v=1751295857"},{"product_id":"distant-voices-still-lives-1","title":"DISTANT VOICES STILL LIVES - BLU-RAY","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eDistant Voices, Still Lives (Blu-ray)\u003cbr\u003eDirected by Terence Davies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTerence Davies film, depicting life in working-class Liverpool from the 1940s into the 50s, is 30 years old this year, and already a modern classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow that Eileen, Maisie, and Tony are adults, their childhood memories and in particular those associated with their father are inconsistent. While Eileen clings to happier times, her siblings remember his brutal violent nature, which has been a major influence on their growth and development. This troubled family must deal with the day-to-day alongside their past. Terence Davies creates a loving portrait with this partly autobiographical tale (shot in two sections), and it was voted one of the greatest British films by \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSight and Sound\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\"\u003eDistant Voices, Still Lives\u003c\/span\u003e\u003cspan\u003e has been restored in 4K resolution by the BFI under the supervision and approval of director Terence Davies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial features\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNew 4K digital restoration from the original 35mm camera negative, approved by director Terence Davies\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eQ\u0026amp;A With Terence Davies\u003c\/span\u003e\u003cspan\u003e (2018, 32 mins): recorded after the UK premiere of the new restoration at BFI Southbank\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eAudio commentary by Terence Davies: the director scrutinises his film in this commentary from 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eInterview With Terence Davies (2007, 20 mins): director Terence Davies discusses his work with film critic Geoff Andrew\u003c\/span\u003e\u003c\/span\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eInterview With Miki van Zwanenberg\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan\u003e \u003c\/span\u003e(2007, 7 mins): the film's art director looks back on its making\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eIntroduction by Mark Kermode\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cspan\u003e \u003c\/span\u003e(2016,2 mins)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eImages of Liverpool in Archive Film (1939-42, 62 mins): three archive shorts depicting the city of Liverpool and its community\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eOriginal and 2018 trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eImage gallery\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan class=\"a-text-italic\"\u003eFully illustrated booklet with new writing on the film by critic Derek Malcolm and art director Miki van Zwanenberg, essays by Geoff Andrew and Adrian Danks, and full film credits\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"a-text-italic\"\u003e\u003cspan class=\"a-text-italic\"\u003eUK | 1988 | colour | 83 minutes | English language, with optional hard-of-hearing subtitles| original aspect ratio 1.78:1 | 1 x BD50: 1080p, 24fps, PCM stereo audio (48kHz\/24-bit), Region B | Cert 15 (contains violence, infrequent strong language)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":46600837300398,"sku":"BFIB1312","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/distant_voices_still_lives_Lime_Light_Front_BD_2.png?v=1751295364"},{"product_id":"equinox-flower-there-was-a-father-dual-forma","title":"EQUINOX FLOWER \/ THERE WAS A FATHER DUAL FORMA - BLU-RAY","description":"\u003cp\u003e\u003cspan\u003eThe Ozu Collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eEQUINOX FLOWER + THERE WAS A FATHER (DVD + Blu-ray)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eFilms by Yasujiro Ozu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYasujiro Ozu's first colour film, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEquinox Flower\u003c\/span\u003e\u003cspan\u003e, is a deft comedy that takes an ironic look at the decline of paternal authority. Shin Saburi plays Wataru Hirayama, an old-fashioned father whose outwardly liberal views on marriage are severely tested when his daughter tells him she wants a love-match. Outwitted and outflanked by his wily female relatives Hirayama stubbornly refuses to admit defeat. Ozu's playful use of colour, poetry and arch humour combine to make this tale of old versus new at once deeply moving and razor-sharp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaternal authority is unquestionably ascendant in Ozu's powerful war-time drama \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThere Was a Father\u003c\/span\u003e\u003cspan\u003e which is also included here. Shuhei Horikawa (Chishu Ryu) sacrifices his teaching career after an unfortunate accident but refuses to sacrifice the education of his only son.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eSpecial Features\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"a-unordered-list a-vertical\"\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eStandard Definition and High Definition presentations of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eEquinox Flower\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThere Was a Father\u003c\/span\u003e\u003cspan\u003e (DVD and Blu-ray)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eFully illustrated booklet features newly commissioned sleevenote essays by Asian cinema Tony Ryans\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"a-list-item\"\u003e\u003cspan\u003eNew and improved English subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eJapan | 1958 + 1942 | colour + black and white | Japanese language, English subtitles | 118 minutes + 87 minutes | Original aspect ratio 1.33:1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDisc 1: BD50 | 1080p | 24fps | PCM mono audio (48k\/16-bit)\u003cbr\u003eDisc 2: DVD9 | PAL | Dolby Digital mono audio (320kbps)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRegion B Blu-ray | Region 2 DVD\u003c\/span\u003e\u003c\/p\u003e","brand":"BFI","offers":[{"title":"Default Title","offer_id":46600837791918,"sku":"BFIB1071","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0583\/4614\/3918\/files\/equinox-flower-lime-light.jpg?v=1754409450"},{"product_id":"a-tale-of-two-sisters-blu-ray","title":"A TALE OF TWO SISTERS BLU RAY","description":"\u003cp\u003e\u003cspan\u003eAfter convalescing in hospital, two sisters return home to their father and stepmother. Su-mi is the older sister and she's prepared to speak her mind. Su-yeon, however is more wary and still haunted by bad memories of the place, she becomes an easy target for her stepmother's bullying. But then there are the strange things that start happening in the house. 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